Norton Recorded Anthology of Western Music - volume 1, CD3

NORTON RECORDED ANTHOLOGY OF WESTERN MUSIC.
Ancient to Baroque. 4ed.

by Claude V Palisca; Donald Jay Grout

Volume 1 - CD 3

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01-05. Luca Marenzio: Solo e pensoso, madrigal

Pomerium Musices; Alexander Blachly, director

06-08. Carlo Gesualdo: “Io parto” e non più dissi, madrigal

Les Arts Florissants; William Christie, director

09-10. Claudin de Sermisy: Tant que vivray, chanson

Ensemble Clement Janequin; Dominique Visse, director

11-19. Claude le Jeune: Revecy venir du printans, chanson

The Waverly Consort; Michael Jaffee, director

20-23. Thomas Morley: O Care, thou wilt despatch me, madrigal

The Waverly Consort; Michael Jaffee, director

24-26. John Dowland: Flow, my tears, air or lute song

Nigel Rogers, tenor; Paul O'Dette, lute

27-28. Pierre Attaingnant (publisher): From Danseries a 4 parties, second livre

a) No. 1: Basse danse

b) No. 36: Branle gay, Que je chatoulle ta fossette

Studio für alte Musik, Düsseldorf

29-31. William Byrd: Pavana Lachrymae, pavane variations

Colin Tilney, virginal

32-37. Giovanni Pierluigi da Palestrina

a) Credo, from Pope Marellus Mass

b) Agnus Dei I, from Pope Marcellus Mass

Choir of Westminster Cathedral; David Hill, Master of the Music

38-42. Tomás Luis de Victoria: O magnum mysterium

a) O magnum mysterium, motet

b) Kyrie, from Missa O magnum mysterium

Choir of Westminster Cathedral; David Hill, Master of the Music

43-46. Orlando di Lasso: Tristis est anima mea, motet

Christ Church Cathedral Choir; Stephen Darlington, director

47-50. William Byrd: Sing joyfully unto God, full anthem

The Tallis Scholars; Peter Phillips, director

51-53. Giulio Caccini: Vedrò ’l mio sol, madrigal

Montserrat Figuras

54-58. Jacopo Peri: Le musiche sopra l’Euridice, opera, excerpts

a) Prologue: Io, che d’alti sospir, strophic aria

b) Recitative: Nel pur ardor

c) Dialogue in recitative: Per quel vago boschetto

La Compagna dei Febi Armonici; Anibal Cetrangolo, conductor

59. Claudio Monteverdi: Cruda Amarilli, madrigal

The Consort of Musicke; Anthony Rooley, director

Total timing: 75:05

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Norton Recorded Anthology of Western Music - volume 1, CD2

NORTON RECORDED ANTHOLOGY OF WESTERN MUSIC.
Ancient to Baroque. 4ed.

by Claude V Palisca; Donald Jay Grout

Volume 1 - CD 2

01-03. Guillaume de Machaut: Rose, liz, printemps, verdure, rondeau

Gothic Voices; Christopher Page, director

04-06. Guillaume de Machaut: Agnus Dei, from Messe de Nostre Dame

The Taverner Consort; Andrew Parrott, director

07. Jacopo da Bologna: Fenice fù, madrigal

Early Music Consort of London; David Munrow, director

08-10. Francesco Landini: Non avrà ma’ pietà, ballata

Das Studio der frühen Musik, München; Thomas Binkley, conductor

11. Baude Cordier: Belle, bonne, sage, rondeau

Ensemble Project Ars Nova; Marcel Pérès, director

12. John Dunstable: Quam pulchra es, motet

The Hilliard Ensemble; Paul Hillier, director

13. Carol: Salve, sancta parens

New York Pro Musica; Noah Greenberg, conductor

14-16. Guillaume Du Fay: Resvellies vous et faites chiere Iye, ballade

The Medieval Ensemble of London; Peter Davies and Timothy Davies, directors

17-18. Guillaume Du Fay: Conditor alme siderum, hymn in fauxbourdon style

Schola Hungarica; Janka Szendrei, director

19-25. Guillaume Du Fay

a) Se la face ay pale, ballade

b) Gloria, from Missa Se la face ay pale, cantus-firmus mass

The Early Music Consort of London; David Munrow, director

26-27. Binchois (Gilles de Bin): De plus en plus, rondeau

The Tallis Scholars; Peter Phillips, director

28-32. Johannes Ockeghem: Kyrie and Agnus Dei, from Missa De plus en plus

The Tallis Scholars; Peter Phillips, director

33-38. Josquin des Prez

a) Kyrie, from Missa Pange lingua

b) Credo: Et incarnetus est Crucifixus, from Missa Pange lingua

The Tallis Scholars; Peter Phillips, director

39-42. Josquin des Prez: De profundis clamavi ad te, motet

The Hilliard Ensemble; Paul Hillier, director

43. Henrich Isaac: Innsbruck, ich muss dich lassen, Lied

Collegium Vocale Köln; Wolfgang Fromm, director

44-50. Marco Cara: Io non compro più speranza, frottola

Musica Reservata; John Beckett, director

51-52. Jacques Arcadelt: Il bianco e dolce cigno, madrigal

The Consort of Musicke; Anthony Rooley, director

53-57. Adrian Willaert: Aspro core e selvaggio, madrigal

Collegium Musicum Yalenses; James Keller, director

58-60. Cipriano de Rore: Da le belle contrade d’oriente, madrigal

The Consort of Musicke; Anthony Rooley, director

Total timing: 79:17

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Norton Recorded Anthology of Western Music - volume 1, CD 1

NORTON RECORDED ANTHOLOGY OF WESTERN MUSIC.
Ancient to Baroque. 4ed.

by Claude V Palisca; Donald Jay Grout

Volume 1 - CD 1

* * *

1. Epitaph of Seikilos

Atrium Musicae de Madrid; Gregorio Paniagua, director

2. Euripides: Orestes, tragedy, excerpt: Stasimon chorus

Atrium Musicae de Madrid, Gregorio Paniagua, director

3-13. Gregorian Chant Mass for Christmas Day

a) Introit: Puer natus est nobis

b) Kyrie

c) Gloria

d) Gradual: Viderunt omnes

e) Alleluia: Dies sanctificatus

*f) Credo

g) Offertory: Tui sunt coeli

h) Sanctus

i) Agnus Dei

j) Communion: Viderunt omnes

Choralschola der Wiener Hofburgkapelle; Hubert Dopf, director

*Choir of Monks of l'Abbaye Saint-Pierre de Solesmes; Dom Joseph Gayard, director

14-16. Gregorian Chant Office of Second Vespers, Nativity of Our Lord

a) Antiphon: Tecum principium

b) Psalm 109: Dixit Dominus

c) Short Responsory: Verbum caro

Cantores Yalenses; Craig Wright, director

17. Gregorian Chant Ascribed to Wipo of Burgundy: Victimae paschali laudes, sequence

Schola Cantorum of Amsterdam; Wim van Gerven, director

18-19. Hildegard of Bingen: Closing chorus, In principio omnes, from Ordo virtutum (The Virtues), sacred music drama

Sequentia; Barbara Thornton and Margriet Tindemans, directors

20. Gregorian Chant Tropes on Puer natus: Quem queritis in presepe and melisma, (liturgical drama)

Schola Hungarica; Laszlo Dobszay and Janka Szendrei, directors

21. Adam de la Halle: Jeu de Robin et de Marion: Rondeau, Robins m’aime

Studio für alte Musik, Düsseldorf

22. Bernart de Ventadorn: Can vei la lauzeta mover, (troubadour song)

Paul Hillier

23. Beatriz de Dia (Comtessa): A chantar, canso (troubadour song)

Pilar Figueras, soprano

24. Hans Sachs: Nachdem David war redlich und aufrichtig

Das Studio der frühen Musik, München; Thomas Binkley, conductor

25-29. Istampita Palamento

Das Studio der frühen Musik, München; Thomas Binkley, conductor

30. Organum: Alleluia Justus ut palma, free organum, from Ad organum faciendum

Gordon Jones and Paul Hillier

31. Aquitanian polyphony: Jubilemus, exultemus

Dominique Vellard; Emmanuel Bonnardot

32-41. Léonin, etc: Alleluia Pascha nostrum, Gregorian Chant and Early Polyphonic Elaborations

Léonin, organum duplum

Motet, Gaudeat devotio fidelium

Léonin, organum duplum, cont'd

Motet, Ave Maria, Fons letitie

Léonin, organum duplum, cont'd

Motet, Salve, salus hominum/Oradians stella/nostrum

Lionheart

42. Pérotin: Viderunt omnes, organum quadruplum

The Hilliard Ensemble; Paul Hillier, director

45. conductus: Ave virgo virginum

Lionheart

46. Motet: Amours mi font/En mai/Flos Filius eius

Anonymous 4

24. Philippe de Vitry: In arboris/Tuba sacre fidei/Virgo sum, motet

Orlando Consort

Total timing 73:08

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